J. Š. combines two seemingly opposite tendencies: the rational that manifests itself in the use of formal means of geometric abstraction and the emotional that represents the true content of his works. This opposition is furthermore asymmetrical, since in the case of abstraction, form completely dominates content at first glance. ...

It is difficult to decide whether we are looking at them or reading them. With respect to the traditional categorization of artistic disciplines, these are hybrid creations, equally close to the spatial and temporal arts. ...

We find ourselves in a smallish, white painted room with a fairly high ceiling. The only light source in it is the shining lamp of a projector showing about a 20-minute loop of a video on the wall. ...

You know this gesture very well. A photographer wants to make a picture of you. Disregarding your refusal, he is getting ready to press the shutter release. Only a second remains for you to prevent him from taking the picture. So you raise your hand and you cover the field of vision of the lens with your palm.

On his distressful journey towards a room brimming with ideas and decorative objects, the artist will certainly appreciate the services of a guide – let ́s tentatively call him/her a curator. ...